Fanciful stylistic touches echoing Chagall’s paintings serve to narrate events too huge and complex to be drawn with journalistic realism. The 1905 Russian Revolution and WWI appear here as spirals and waves, as film footage, or in miniature as Luxemburg’s unruly hair, as seen in the cover image, literally “on her mind.” These huge events that defy realism call for a different… Eyedrum Periodically